During
this course, we have read and talked about a lot of authors, poets, writers,
etc., that try to portray suffering, pain, violence, etc. But it is Owen with
his war poetry the one who achieves a perfect portrait of the those feelings
through the description of war.
Owen, in
his poem "Dolce et Decorum Est", gives us a brutal image about the
daily lives of the soldiers in the front line in the Great War. We can
appreciate how the soldiers slowly lose their humanity and die like animals. "Bent double, like old
beggars under sacks..." that's
how soldiers lived and died in the trenches, and it's terrifying. Through
Owen's poems we can feel the despair, fear, solitude the soldiers felt.
But
Owen's poems not only want to display the terrible things that happen in war,
but he also wants to denounce that the soldiers are not responsible
for the war: They are following orders. They are killing, becoming monsters,
because there are some that want to play the game of thrones.
In this sense, New questions are raised. Why
do soldiers fight wars? Is it because they are forced to? or because they are
persuaded to? Owen himself answers that same questions in "Dolce
et Decorum est": Young boys are persuaded by those in power. They are
offered glory in exchange for their souls. A beautiful lie.
In this
same way, Kurt Vonnegut writes in his famous anti war novel from 1969 novel "Slaughter house 5: The
children's crusade" :
'Then she turned to me, let me see how angry she was, and that the anger was for me. She had been talking to herself, so what she said was a fragment of a much larger conversation. “You were just babies then!” she said.“What?” I said. “You were just babies in the war— like the ones upstairs!”. I nodded that this was true. We had been foolish virgins in the war, right at the end of childhood. “But you’re not going to write it that way, are you.” This wasn’t a question. It was an accusation. “I—I don’t know,” I said. “Well, I know,” she said. “You’ll pretend you were men instead of babies, and you’ll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war- loving, dirty old men. And war will look just wonderful, so we’ll have a lot more of them. And they’ll be fought by babies like the babies upstairs.”' (P.24)
'Then she turned to me, let me see how angry she was, and that the anger was for me. She had been talking to herself, so what she said was a fragment of a much larger conversation. “You were just babies then!” she said.“What?” I said. “You were just babies in the war— like the ones upstairs!”. I nodded that this was true. We had been foolish virgins in the war, right at the end of childhood. “But you’re not going to write it that way, are you.” This wasn’t a question. It was an accusation. “I—I don’t know,” I said. “Well, I know,” she said. “You’ll pretend you were men instead of babies, and you’ll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war- loving, dirty old men. And war will look just wonderful, so we’ll have a lot more of them. And they’ll be fought by babies like the babies upstairs.”' (P.24)
Kurt and Owen,
with their works, want to portray war as a senseless event, a thing that expose
our children to horrors and that ends up destroying them at the end. They are telling the people not to be believe in the war hero, in the glory of war.
And this is why Owen's
war poems are really priceless. He dares to defy the established order, to break the
romantic image of war, and to portray war as cruel, horrifying and meaningless.
But, going even further ,we could say that in the end, violence itself is meaningless and purposeless. Then, Can violence be avoided ? Is it a feature of life or something that we create? These are the questions that come to my mind after reading Owen's poems, questions that, at some point, we all should ask ourselves.
'"My Love!’ one moaned. Love-languid seemed his mood,
But, going even further ,we could say that in the end, violence itself is meaningless and purposeless. Then, Can violence be avoided ? Is it a feature of life or something that we create? These are the questions that come to my mind after reading Owen's poems, questions that, at some point, we all should ask ourselves.
'"My Love!’ one moaned. Love-languid seemed his mood,
Till slowly lowered, his whole face kissed the mud.
And the Bayonets’ long teeth grinned;
Rabbles of Shells hooted and groaned;
And the Gas hissed". - The Last Laugh by Wilfred Owen
References.
Vonnegut, K. (1969). Slaughterhouse five. United States: Delacorte
Vonnegut, K. (1969). Slaughterhouse five. United States: Delacorte
Owen, W. (1989). The poems of wilfred owen. Stallworthy, J. (Ed.). New York: W. W. Norton and Company, Inc.
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